South Asian Ensemble Winter-Spring 2014
Editor’s
Note
A
lot of good South Asian writing is taking place outside the dominant circuits
of recognition. It was our assumption when we started SAE. Five years down the road, it is a conclusion.
Leafing through pages from the
past, we see many installed stereotypes crumbling. Yet much survives that seems
to identify us.
What is still awaited is a radical
mobilization of the elements of the ensemble that is us and our experience, a
mobilization that dislocates, disassembles and creates afresh beyond merely
reproducing. This would require infusion of energies from outside the
ensemble’s boundaries.
But haven’t cultures always
outsourced? Isn’t imagination the great outsourcing machine? Isn’t literature
always in another place, always already elsewhere?
South Asia is a horizon that must be
transcended. Only when it begins to be transcended – with freedom, without
guilt, with responsibility – shall great writing again begin to find home here.
De-domestication is a pre-requisite. Homelessness, a necessity.
Perhaps we should seek our singularity
in losing ourselves in one’s own ways.
Rajesh Sharma
Website here:
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